{"id":3149,"date":"2026-02-25T09:30:00","date_gmt":"2026-02-25T08:30:00","guid":{"rendered":"https:\/\/hachayoun.com\/?p=3149"},"modified":"2026-03-27T19:43:27","modified_gmt":"2026-03-27T18:43:27","slug":"zum-gleichgewicht","status":"publish","type":"post","link":"https:\/\/hachayoun.com\/en\/zum-gleichgewicht\/","title":{"rendered":"Zum Gleichgewicht"},"content":{"rendered":"\n
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Une exploration de l\u2019\u00e9quilibre entre m\u00e9moire personnelle, d\u00e9placements et r\u00e9alit\u00e9s contemporaines.<\/em><\/p>\n\n\n\n

L\u2019exposition personnelle de Ha Cha Youn<\/strong> \u00e0 G\u00f6ttingen r\u00e9unissait des \u0153uvres r\u00e9alis\u00e9es \u00e0 la fin des ann\u00e9es 1980 et au d\u00e9but des ann\u00e9es 1990, durant le s\u00e9jour de l\u2019artiste en Basse-Saxe<\/strong>, ainsi que des travaux plus r\u00e9cents.<\/p>\n\n\n\n

\u00c0 travers cet ensemble, la notion d\u2019\u00e9quilibre<\/strong> constitue un fil conducteur de la recherche artistique de Ha Cha Youn<\/strong>. En mettant en dialogue diff\u00e9rentes p\u00e9riodes de sa pratique, les \u0153uvres r\u00e9sonnent avec des questions toujours actuelles : les d\u00e9placements, les fronti\u00e8res et la recherche d\u2019un lieu o\u00f9 vivre. Entre m\u00e9moire personnelle et histoire du monde, son travail explore les conditions de coexistence dans un contexte marqu\u00e9 par les transformations sociales et g\u00e9opolitiques contemporaines.<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

Direction artistique<\/h5>\n

Christel Irmscher, Michael Stoeber<\/p>\n

Cr\u00e9dits photo<\/strong><\/h5>\n

Bernd Schulz<\/p>\n

Plus d\u2019information<\/h5>\n

Texte : \u201eDie K\u00fcnstlerin als Equilibristin – Zum Werk von Ha Cha Youn\u201c, par Michael Stoeber [Lire]<\/a><\/span>Images du vernissage sur Instagram<\/a>.<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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\u0152uvres pr\u00e9sent\u00e9es \u00e0 K\u00fcnstlerhaus \u2013 Weissen Saal :<\/strong><\/p>\n\n\n\n

\u2022 \u00ab Zu Beginn \u00bb (1992)<\/p>\n\n\n\n

\u2022 S\u00e9rie \u00ab America\/Europa \u00bb (1992)<\/p>\n\n\n\n

\u2022 \u00ab Kunst Paradis \u00bb (1991)<\/p>\n\n\n\n

\u2022 \u00ab Return Home \u00bb \u2013 installation (2019)<\/p>\n\n\n\n

\u2022 \u00ab Return Home \u00bb \u2013 vid\u00e9o (2019) [Voir]<\/a><\/p>\n\n\n\n

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\u0152uvres pr\u00e9sent\u00e9s \u00e0 St. Johannis Kirche :<\/strong><\/p>\n\n\n\n

\u2022 \u00ab Zu Beginn \u00bb (1992)<\/p>\n\n\n\n

\u2022 \u00ab Je me br\u00fble \u00bb (1987)<\/p>\n\n\n\n

\u2022 \u00ab Reis pflanzen \u00bb (1988)<\/p>\n\n\n\n

\u2022 \u00ab Bleibt wie (ein) Baum \u00bb (1989)<\/p>\n\n\n\n

\u2022 \u00ab Von 1960 bis 2080 \u00bb (1989)<\/p>\n\n\n\n

\u2022 \u00ab MAT, BOAT, CARPET- my mat, a boat for family, a large carpet for all \u00bb (2021)<\/p>\n\n\n\n

\u2022 \u00ab Navigation \u00bb (2021)<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Une exploration de l\u2019\u00e9quilibre entre m\u00e9moire personnelle, d\u00e9placements et r\u00e9alit\u00e9s contemporaines. L\u2019exposition personnelle de Ha Cha Youn \u00e0 G\u00f6ttingen r\u00e9unissait des \u0153uvres r\u00e9alis\u00e9es \u00e0 la fin des ann\u00e9es 1980 et au d\u00e9but des ann\u00e9es 1990, durant le s\u00e9jour de l\u2019artiste en Basse-Saxe, ainsi que des travaux plus r\u00e9cents. \u00c0 travers cet ensemble, la notion d\u2019\u00e9quilibre […]<\/p>\n","protected":false},"author":1,"featured_media":3229,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-3149","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-solo"],"acf":[],"_links":{"self":[{"href":"https:\/\/hachayoun.com\/en\/wp-json\/wp\/v2\/posts\/3149","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hachayoun.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hachayoun.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hachayoun.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/hachayoun.com\/en\/wp-json\/wp\/v2\/comments?post=3149"}],"version-history":[{"count":22,"href":"https:\/\/hachayoun.com\/en\/wp-json\/wp\/v2\/posts\/3149\/revisions"}],"predecessor-version":[{"id":3255,"href":"https:\/\/hachayoun.com\/en\/wp-json\/wp\/v2\/posts\/3149\/revisions\/3255"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hachayoun.com\/en\/wp-json\/wp\/v2\/media\/3229"}],"wp:attachment":[{"href":"https:\/\/hachayoun.com\/en\/wp-json\/wp\/v2\/media?parent=3149"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hachayoun.com\/en\/wp-json\/wp\/v2\/categories?post=3149"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hachayoun.com\/en\/wp-json\/wp\/v2\/tags?post=3149"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}