{"id":2993,"date":"2024-11-04T15:26:25","date_gmt":"2024-11-04T14:26:25","guid":{"rendered":"https:\/\/hachayoun.com\/?p=2993"},"modified":"2026-03-25T16:52:07","modified_gmt":"2026-03-25T15:52:07","slug":"silent-appel","status":"publish","type":"post","link":"https:\/\/hachayoun.com\/en\/silent-appel\/","title":{"rendered":"\ud070 \uc0ac\uacfc\uac00 \uc18c\ub9ac\uc5c6\uc774 Silent apple"},"content":{"rendered":"\n
\"Ha<\/a><\/figure>\n\n\n\n
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\u201c \ud070 \uc0ac\uacfc\uac00 \uc18c\ub9ac\uc5c6\uc774 \u201d<\/p>\n\n\n\n

2024 \uc81c7\ud68c \ucc3d\uc6d0\uc870\uac01\ube44\uc5d4\ub0a0\ub808<\/p>\n\n\n\n

\uc131\uc0b0\uc544\ud2b8\ud640, \uc131\uc0b0\ud328\ucd1d, \ucc3d\uc6d0\ubcf5\ud569\ubb38\ud654\uc13c\ud130 \ub3d9\ub0a8\uc6b4\ub3d9\uc7a5, \ucc3d\uc6d0\uc2dc\ub9bd\ub9c8\uc0b0\ubb38\uc2e0\ubbf8\uc220\uad00<\/p>\n\n\n\n

83 artistes internationaux (63 \u00e9quipes) ont \u00e9t\u00e9 invit\u00e9s \u00e0 explorer les temporalit\u00e9s et localit\u00e9s multicouches de la sculpture et de la ville de Changwon dans quatre lieux culturels, historiques et sociaux.<\/p>\n\n\n\n

HA CHA YOUN a v\u00e9cu dans cette ville jusqu’\u00e0 son d\u00e9part en 1983 pour l’Europe afin de poursuivre ses \u00e9tudes d’art. Depuis les ann\u00e9es 1960, l’industrialisation de la ville a entra\u00een\u00e9 un afflux de femmes et d’hommes venus travailler dans l’industrie. La transformation rapide du paysage urbain a laiss\u00e9 une empreinte durable sur ses souvenirs de sa ville natale.<\/p>\n\n\n\n

\u00c0 l\u2019occasion de cette biennale de la sculpture, HA CHA YOUN pr\u00e9sente des \u0153uvres cr\u00e9\u00e9es en France et en Allemagne entre 1987 et 1989, influenc\u00e9es par ses multiples d\u00e9placements et ses ancrages dans divers contextes. <\/p>\n\n\n\n

Lors du vernissage une performance intitul\u00e9e \u00ab Von 1960 bis 2080 \u00bb<\/em> est r\u00e9alis\u00e9e dans le hall d’entr\u00e9e.<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

Lieux<\/h5>\n

Seongsan Art Hall, Seongsan Shell Mound, Changwon Cultural Complex Dongnam Ground, ChangwonCity Masan Moonshin Art Museum<\/p>\n

Directrice artistique<\/h5>\n

Seewon Hyun \ud604\uc2dc\uc6d0<\/p>\n

Cr\u00e9dits photo<\/h5>\n

Studio SUJIKSUPYUNG (Cheolki Hong), Courtesy of Changwon Cultural Foundation \u00b7 The 7th Changwon Sculpture Biennale 2024, Jiyeon Sung, Dongim Ha.<\/p>\n

Plus d\u2019information<\/h5>\n

Vue de l\u2019exposition<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\"Ha<\/a><\/figure>\n\n\n\n
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\"Ha<\/a><\/figure>\n\n\n\n
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\"Ha<\/a><\/figure>\n<\/figure>\n\n\n\n

\u0152uvres performatives pr\u00e9sent\u00e9es :<\/p>\n\n\n\n

\u2022 \u00ab\u00a0Je me br\u00fble\u00a0\u00bb, 1987 [Voir]<\/a><\/p>\n\n\n\n

\u2022 \u00ab Reis pflanzen (Planter du riz) \u00bb, 1988 [Voir]<\/a><\/p>\n\n\n\n

\u2022 \u00ab Bleibt wie (ein) Baum (Rester comme (un) arbre) \u00bb, 1989 [Voir]<\/a><\/p>\n\n\n\n

\u2022 \u00ab Von 1960 bis 2080 (De 1960 \u00e0 2080) \u00bb 1989\/2024 [Voir]<\/a><\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

\u201c \ud070 \uc0ac\uacfc\uac00 \uc18c\ub9ac\uc5c6\uc774 \u201d 2024 \uc81c7\ud68c \ucc3d\uc6d0\uc870\uac01\ube44\uc5d4\ub0a0\ub808 \uc131\uc0b0\uc544\ud2b8\ud640, \uc131\uc0b0\ud328\ucd1d, \ucc3d\uc6d0\ubcf5\ud569\ubb38\ud654\uc13c\ud130 \ub3d9\ub0a8\uc6b4\ub3d9\uc7a5, \ucc3d\uc6d0\uc2dc\ub9bd\ub9c8\uc0b0\ubb38\uc2e0\ubbf8\uc220\uad00 83 artistes internationaux (63 \u00e9quipes) ont \u00e9t\u00e9 invit\u00e9s \u00e0 explorer les temporalit\u00e9s et localit\u00e9s multicouches de la sculpture et de la ville de Changwon dans quatre lieux culturels, historiques et sociaux. HA CHA YOUN a v\u00e9cu dans cette ville jusqu’\u00e0 son d\u00e9part […]<\/p>\n","protected":false},"author":1,"featured_media":3007,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2],"tags":[],"class_list":["post-2993","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-group"],"acf":[],"_links":{"self":[{"href":"https:\/\/hachayoun.com\/en\/wp-json\/wp\/v2\/posts\/2993","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hachayoun.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hachayoun.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hachayoun.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/hachayoun.com\/en\/wp-json\/wp\/v2\/comments?post=2993"}],"version-history":[{"count":37,"href":"https:\/\/hachayoun.com\/en\/wp-json\/wp\/v2\/posts\/2993\/revisions"}],"predecessor-version":[{"id":3220,"href":"https:\/\/hachayoun.com\/en\/wp-json\/wp\/v2\/posts\/2993\/revisions\/3220"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hachayoun.com\/en\/wp-json\/wp\/v2\/media\/3007"}],"wp:attachment":[{"href":"https:\/\/hachayoun.com\/en\/wp-json\/wp\/v2\/media?parent=2993"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hachayoun.com\/en\/wp-json\/wp\/v2\/categories?post=2993"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hachayoun.com\/en\/wp-json\/wp\/v2\/tags?post=2993"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}