{"id":2035,"date":"2011-04-23T10:22:00","date_gmt":"2011-04-23T09:22:00","guid":{"rendered":"https:\/\/hachayoun.com\/?p=2035"},"modified":"2024-03-01T08:28:38","modified_gmt":"2024-03-01T07:28:38","slug":"sweet-home","status":"publish","type":"post","link":"https:\/\/hachayoun.com\/en\/sweet-home\/","title":{"rendered":"Sweet Home"},"content":{"rendered":"
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The \"Sweet Home\" exhibition echoes the\u00a0\"Projet Sweet Home 4\"<\/a>\u00a0exhibition held in 2009 in Poitiers, which themes were exile, migration, and uprooting.<\/p>\n\n\n\n

The specific reception of a work can be observed by an artist when it is placed in a different context. The installation Container<\/strong> designed in the exhibition hall required visits to residents. Encounters took place, underground journeys in cellars were undertaken, and luggage laden with memories fleeing from WWII was borrowed. A collective memory has been created through these objects.<\/p>\n\n\n\n

The projection room of Sweet Home 4<\/a><\/strong> becomes a scene of unbearable destruction for some. Meanwhile, on a small television screen, a video self-performance entitled Reis pflanzen<\/a><\/strong> shows the action of planting rice in newspaper on a concrete floor, carried out in 1988 during Ha Cha Youn's first stay in Germany in Braunschweig.<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

Credits<\/h5>\n

Curator: Gudrun Thiessen-Schneider<\/p>\n

More information<\/h5>\n

Kunstverrein Grafschaft-Bentheim<\/a><\/p>\n

Publication<\/h5>\n

Ha Cha Youn \u2013 Sweet Home<\/strong>, Gudrun Thiessen-Schneider, Raimar Stange (\u00c9pospress, Zwolle, 2011).<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Showcased videos: Sweet Home 4<\/a><\/strong>, Reis pflanzen<\/a><\/strong>, Bassin des r\u00e9collets<\/a><\/strong>.<\/p>","protected":false},"excerpt":{"rendered":"

L’exposition \u00ab\u00a0Sweet Home\u00a0\u00bb fait \u00e9cho \u00e0 l’exposition \u00ab\u00a0Projet Sweet Home 4\u00a0\u00bb r\u00e9alis\u00e9e en 2009 \u00e0 Poitiers, dont les th\u00e8mes \u00e9taient l’exil, la migration et le d\u00e9racinement. La r\u00e9ception particuli\u00e8re d’une \u0153uvre peut \u00eatre observ\u00e9e lorsqu’elle est plac\u00e9e dans un autre contexte. L’installation du Conteneur imagin\u00e9e dans la salle d’exposition a n\u00e9cessit\u00e9 la visite des habitants. […]<\/p>\n","protected":false},"author":1,"featured_media":2036,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2035","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-solo"],"acf":[],"_links":{"self":[{"href":"https:\/\/hachayoun.com\/en\/wp-json\/wp\/v2\/posts\/2035","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hachayoun.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hachayoun.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hachayoun.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/hachayoun.com\/en\/wp-json\/wp\/v2\/comments?post=2035"}],"version-history":[{"count":44,"href":"https:\/\/hachayoun.com\/en\/wp-json\/wp\/v2\/posts\/2035\/revisions"}],"predecessor-version":[{"id":2892,"href":"https:\/\/hachayoun.com\/en\/wp-json\/wp\/v2\/posts\/2035\/revisions\/2892"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hachayoun.com\/en\/wp-json\/wp\/v2\/media\/2036"}],"wp:attachment":[{"href":"https:\/\/hachayoun.com\/en\/wp-json\/wp\/v2\/media?parent=2035"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hachayoun.com\/en\/wp-json\/wp\/v2\/categories?post=2035"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hachayoun.com\/en\/wp-json\/wp\/v2\/tags?post=2035"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}