{"id":16,"date":"2023-12-17T18:39:36","date_gmt":"2023-12-17T17:39:36","guid":{"rendered":"https:\/\/hachayoun.com\/?page_id=16"},"modified":"2026-03-27T19:44:51","modified_gmt":"2026-03-27T18:44:51","slug":"texts","status":"publish","type":"page","link":"https:\/\/hachayoun.com\/en\/texts\/","title":{"rendered":"Texts"},"content":{"rendered":"\n<h2 class=\"wp-block-heading hidden\">2026<\/h2>\n\n\n\n<h4 class=\"wp-block-heading hidden\">Michael Stoeber<\/h4>\n\n\n\n<h3 class=\"wp-block-heading hidden\"><strong>Die K\u00fcnstlerin als Equilibristin \u2013 Zum Werk von Ha Cha Youn<\/strong><\/h3>\n\n\n\n<p class=\"hidden\">Texte \u00e9crit \u00e0 l&rsquo;occasion de l&rsquo;exposition <em>Zum Gleichtgewicht<\/em> [\u00c0 propos de l\u2019\u00e9quilibre], \u00e0 la K\u00fcnstlerhaus (Weissen Saal) et l&rsquo;\u00e9glise St. Johannis, G\u00f6ttingen (Allemagne).<\/p>\n\n\n\n<ul class=\"wp-block-list hidden\">\n<li><a href=\"https:\/\/hachayoun.com\/wp-content\/uploads\/2026\/03\/die-kunstlerin-als-equilibristin-deutsch.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">[Deutsch]<\/a><\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">2023<\/h2>\n\n\n\n<h4 class=\"wp-block-heading\">Gim JongGil<\/h4>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>\u201cLowering\u201d (nat-chim) Raised in Empty Place \u2013 Outsider Ha Cha Youn&rsquo;s Voice of Solidarity<\/strong><\/h3>\n\n\n\n<p>Texte extrait de <strong>HA CHA YOUN Home(s)<\/strong>, Artist Research-Study-Critique, Arts Council Korea, Alt Space LOOP, S\u00e9oul (Cor\u00e9e du sud).<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"\/wp-content\/uploads\/2024\/01\/Gim-Jonggil-lowering-kr.pdf\" data-type=\"link\" data-id=\"\/wp-content\/uploads\/2024\/01\/Gim-Jonggil-lowering-kr.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">[<strong>\ud55c\uad6d\uc5b4<\/strong>]<\/a><\/li>\n\n\n\n<li><a href=\"\/wp-content\/uploads\/2024\/01\/Gim-Jonggil-Lowering-en.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">[English]<\/a><\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\">Raimar Stange<\/h4>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Home-less-home \u2013 Six Fragments on the Artistic Work of Ha Cha Youn<\/strong><\/h3>\n\n\n\n<p>Texte extrait de <strong>HA CHA YOUN Home(s)<\/strong>, Artist Research-Study-Critique, Arts Council Korea, Alt Space LOOP, S\u00e9oul (Cor\u00e9e du sud).<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/hachayoun.com\/wp-content\/uploads\/2024\/03\/Raimar-Stange-Home-less-home-fr.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">[Fran\u00e7ais]<\/a><\/li>\n\n\n\n<li><a href=\"\/wp-content\/uploads\/2024\/01\/Raimar-Stange-Home-less-home-de.pdf\" data-type=\"link\" data-id=\"\/wp-content\/uploads\/2024\/01\/Raimar-Stange-Home-less-home-en.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">[Deutsch]<\/a><\/li>\n\n\n\n<li><a href=\"\/wp-content\/uploads\/2024\/01\/Raimar-Stange-Home-less-home-en.pdf\" data-type=\"link\" data-id=\"\/wp-content\/uploads\/2024\/01\/Raimar-Stange-Home-less-home-en.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">[English]<\/a><\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\">Dominique Truco<\/h4>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>L&rsquo;air libre<\/strong><\/h3>\n\n\n\n<p>Texte extrait de <strong>HA CHA YOUN Home(s)<\/strong>, Artist Research-Study-Critique, Arts Council Korea, Alt Space LOOP, S\u00e9oul (Cor\u00e9e du sud).<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"\/wp-content\/uploads\/2024\/01\/Dominique-Truco-Lair-libre-fr.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">[Fran\u00e7ais]<\/a><\/li>\n\n\n\n<li><a href=\"\/wp-content\/uploads\/2024\/01\/Dominique-Truco-Lair-libre-en.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">[English]<\/a><\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\">Ji Yoon Yang<\/h4>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Commentary about Ha Cha Youn\u2019s Work<\/strong><\/h3>\n\n\n\n<p>Texte extrait de <strong>HA CHA YOUN Home(s)<\/strong>, Artist Research-Study-Critique, Arts Council Korea, Alt Space LOOP, S\u00e9oul (Cor\u00e9e du sud).<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"\/wp-content\/uploads\/2024\/01\/Ji-Yoon-Yang-Commentary-kr.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">[<strong>\ud55c\uad6d\uc5b4<\/strong>]<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/hachayoun.com\/wp-content\/uploads\/2024\/03\/Ji-Yoon-Yang-Commentary-fr.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">[Fran\u00e7ais]<\/a><\/li>\n\n\n\n<li><a href=\"\/wp-content\/uploads\/2024\/01\/Ji-Yoon-Yang-Commentary-en.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">[English]<\/a><\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\">Raimar Stange<\/h4>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Ha Cha Youn<\/strong><\/h3>\n\n\n\n<p>Article de presse, dans <strong>Artist Kunstmagazin<\/strong>, ausgabe nr. 134, august-oktober 2023, Br\u00eame (Allemagne), p. 8-13.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"\/wp-content\/uploads\/2024\/01\/Reimar-Stange-Ha-Cha-Youn-de.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">[Deutsch]<\/a><\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">2019<\/h2>\n\n\n\n<h4 class=\"wp-block-heading\">Ewa Sulek<\/h4>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Questions to Ha Cha Youn<\/strong><\/h3>\n\n\n\n<p>Entretien, dans le cadre de l&rsquo;exposition <strong><a href=\"https:\/\/hachayoun.com\/homes-project\/\" data-type=\"post\" data-id=\"1831\">Home(s) Project<\/a><\/strong>, Lescer Art Center, Zalesie Gorne (Pologne).<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"\/wp-content\/uploads\/2024\/01\/Ewa-Sulek-Questions-fr.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">[Fran\u00e7ais]<\/a><\/li>\n\n\n\n<li><a href=\"\/wp-content\/uploads\/2024\/01\/Ewa-Sulek-Questions-en.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">[English]<\/a><\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">2013<\/h2>\n\n\n\n<h4 class=\"wp-block-heading\">Hyun Ji Yeon<\/h4>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>A space for contemplation and agreement on as residential models. Nestling: Jjockbang Project \u2013 Ha Cha Youn Solo Exhibition<\/strong><\/h3>\n\n\n\n<p>Article de presse, dans <strong>Contemporary Art Journal<\/strong>, vol.15, S\u00e9oul (Cor\u00e9e du sud), sur l&rsquo;exposition <strong><a href=\"https:\/\/hachayoun.com\/work\/nestling-jjockbang-project\/\" data-type=\"work\" data-id=\"670\">Nestling: Jjockbang<\/a><\/strong>.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"\/wp-content\/uploads\/2024\/01\/Hyun-Ji-Yeon-A-space-en-kr.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">[<strong>\ud55c\uad6d\uc5b4<\/strong>\/English]<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/hachayoun.com\/wp-content\/uploads\/2024\/03\/Hyun-Ji-Yeon-Un-espace-fr.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">[Fran\u00e7ais]<\/a><\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">2011<\/h2>\n\n\n\n<h4 class=\"wp-block-heading\">Gudrun Thiessen-Schneider<\/h4>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Postface<\/strong><\/h3>\n\n\n\n<p>Catalogue de l&rsquo;exposition <strong>Sweet Home<\/strong>, Kunstverein Grafschaft-Bentheim (Allemagne).<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"\/wp-content\/uploads\/2024\/01\/Gudrun-Thiessen-Schneider-Postface-de-en.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">[Deutsch\/English]<\/a><\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">2009<\/h2>\n\n\n\n<h4 class=\"wp-block-heading\">Michael Stoeber<\/h4>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>La rue, sc\u00e8ne de l&rsquo;art<\/strong><\/h3>\n\n\n\n<p>Catalogue de l&rsquo;exposition <strong>Ha Cha Youn \u2013 Projet \u00ab\u00a0Sweet Home 4<\/strong>\u00ab\u00a0, Galerie des \u00e9coles d\u2019arts de Poitiers (France).<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"\/wp-content\/uploads\/2024\/01\/Michael-Stoeber-Home-Project-fr-en.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">[Fran\u00e7ais\/English]<\/a><\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">2006<\/h2>\n\n\n\n<h4 class=\"wp-block-heading\">Bruno Mathon &amp; Ha Cha Youn<\/h4>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Quelques questions \u00e0 Ha Cha Youn<\/strong><\/h3>\n\n\n\n<p>Entretien, dans le cadre de l&rsquo;exposition <strong>Balade dans Paris<\/strong>, Espace Icare, Issy Les Moulineaux (France).<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"\/wp-content\/uploads\/2024\/01\/Bruno-Mathon-Quelques-questions-fr.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">[Fran\u00e7ais]<\/a><\/li>\n\n\n\n<li><a href=\"\/wp-content\/uploads\/2024\/01\/Bruno-Mathon-Quelques-questions-en.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">[English]<\/a><\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">1996<\/h2>\n\n\n\n<h4 class=\"wp-block-heading\">Reinhold Happel<\/h4>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Studiolo<\/strong><\/h3>\n\n\n\n<p>Texte extrait du catalogue de l&rsquo;exposition <strong>Studiolo<\/strong>, Studio galerie, Kunstverein Braunschweig (Allemagne).<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"\/wp-content\/uploads\/2024\/01\/Reihold-Happel-Studiolo-de-en.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">[Deutsch\/English]<\/a><\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">1995<\/h2>\n\n\n\n<h4 class=\"wp-block-heading\">Michael Erlhoff<\/h4>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Sojourn as Situatedness \u2013 The Nomadic as a Reliable Perspective<\/strong><\/h3>\n\n\n\n<p>Texte extrait du catalogue de l&rsquo;exposition itin\u00e9rante <strong>Auszug<\/strong> : Hochsch\u00fcle f\u00fcr Bildende Kunst, Brauschweig, 1993 \u2013Helmkestrasse Hanover, 1994 \u2013 B\u00f6blinger Kunstverein,1995 \u2013 Voltmerstrasse Hanover, 1995 (Allemagne).<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"\/wp-content\/uploads\/2024\/01\/Michael-Erlhoff-Aufenthalt-de.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">[Deutsch]<\/a><\/li>\n\n\n\n<li><a href=\"\/wp-content\/uploads\/2024\/01\/Michael-Erlhoff-Aufenthalt-en.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">[English]<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>2026 Michael Stoeber Die K\u00fcnstlerin als Equilibristin \u2013 Zum Werk von Ha Cha Youn Texte \u00e9crit \u00e0 l&rsquo;occasion de l&rsquo;exposition Zum Gleichtgewicht [\u00c0 propos de l\u2019\u00e9quilibre], \u00e0 la K\u00fcnstlerhaus (Weissen Saal) et l&rsquo;\u00e9glise St. Johannis, G\u00f6ttingen (Allemagne). 2023 Gim JongGil \u201cLowering\u201d (nat-chim) Raised in Empty Place \u2013 Outsider Ha Cha Youn&rsquo;s Voice of Solidarity Texte [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-16","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/hachayoun.com\/en\/wp-json\/wp\/v2\/pages\/16","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hachayoun.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/hachayoun.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/hachayoun.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/hachayoun.com\/en\/wp-json\/wp\/v2\/comments?post=16"}],"version-history":[{"count":69,"href":"https:\/\/hachayoun.com\/en\/wp-json\/wp\/v2\/pages\/16\/revisions"}],"predecessor-version":[{"id":3256,"href":"https:\/\/hachayoun.com\/en\/wp-json\/wp\/v2\/pages\/16\/revisions\/3256"}],"wp:attachment":[{"href":"https:\/\/hachayoun.com\/en\/wp-json\/wp\/v2\/media?parent=16"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}