{"id":14,"date":"2023-12-17T18:39:05","date_gmt":"2023-12-17T17:39:05","guid":{"rendered":"https:\/\/hachayoun.com\/?page_id=14"},"modified":"2026-03-27T17:14:22","modified_gmt":"2026-03-27T16:14:22","slug":"bio","status":"publish","type":"page","link":"https:\/\/hachayoun.com\/en\/bio\/","title":{"rendered":"Biography"},"content":{"rendered":"\n<h1 class=\"wp-block-heading\">EXPOSITIONS PERSONNELLES<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">2026<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Zum Gleichgewicht \u2013 \u00c0 propos de l\u2019\u00e9quilibre<\/h3>\n\n\n\n<p>K\u00fcnstlerhaus (Weissen Saal), \u00c9glise St.Johannis, G\u00f6ttingen (Allemagne)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2022<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">\u00c0 la recherche de l&rsquo;autre<\/h3>\n\n\n\n<p>Galerie Houg, Paris (France)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2021<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>\uc9d1\uc73c\ub85c<\/strong> Return Home<\/h3>\n\n\n\n<p>Alt Space LOOP, S\u00e9oul (Cor\u00e9e du Sud)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2019<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Home(s) project<\/h3>\n\n\n\n<p>Lescer Art Center, Zalesie Gorne, Centre Culture Cor\u00e9en, Varsovie (Pologne)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2013<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>\ub465\uc9c0\ud2c0\uae30 \u2013 \ucabd\ubc29\ud504\ub85c\uc81d\ud2b8<\/strong> Nestling: Jjockbang project<\/h3>\n\n\n\n<p>Corner Art Space, S\u00e9oul (Cor\u00e9e du Sud)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2011<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Sweet home<\/h3>\n\n\n\n<p>Kunstverein Grafschaft-Bentheim, Neuenhaus (Allemagne)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2010<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Diorama Projections<\/h3>\n\n\n\n<p>2P Contemporary Art Gallery, Hong Kong (Chine)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Video visionen<\/h3>\n\n\n\n<p>Edith-Russ-Haus fur Medienkunst, Oldenburg (Allemagne)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2009<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Sweet Home 4 project<\/h3>\n\n\n\n<p>La galerie des \u00e9coles d&rsquo;art, galerie Louise Michel et Espace Mend\u00e8s-France, Poitiers (France)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2008<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Consigne<\/h3>\n\n\n\n<p>Dans le cadre de la 4\u00e8me \u00e9dition de \u00ab\u00a0Ville et image\u00a0\u00bb.<br>Galerie NegPos, N\u00eemes (France)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2006<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Balade dans Paris<\/h3>\n\n\n\n<p>Espace Icare, Issy-Les-Moulineaux (France)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2003<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">En couleur\u2009 \u2013\u2009 Farbprobe<\/h3>\n\n\n\n<p>Grenoble international, Grenoble (France)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2001<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">En couleur\u2009 \u2013\u2009 Farbprobe<\/h3>\n\n\n\n<p>Cit\u00e9 internationale des Arts, Paris (France)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">1999<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">V\u0153u de Nouvel an<\/h3>\n\n\n\n<p>Galerie Artem, Quimper (France)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">1998<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">En couleur\u2009 \u2013 \u2009Farbprobe<\/h3>\n\n\n\n<p>K\u00fcnstlerhaus Meinersen (Allemagne)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">1996<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Studiolo<\/h3>\n\n\n\n<p>Studiogalerie Kunstverein, Braunschweig (Allemagne)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">1995<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Zwischenspiel<\/h3>\n\n\n\n<p>Galerie Schleuse 16, B\u00f6blinger Kunstverein (Allemagne)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">AUSZUG &nbsp;Teil 3&nbsp; \u2013 Die Zeittramperin<\/h3>\n\n\n\n<p>Hanovre (Allemagne)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">1994<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">AUSZUG&nbsp; Teil 2&nbsp; \u2013 Les mots &amp; Die W\u00f6rter<\/h3>\n\n\n\n<p>Hanovre (Allemagne)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">1993<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">AUSZUG&nbsp; Teil 1 \u2013 Solo, la fin de s\u00e9rie<\/h3>\n\n\n\n<p>Hanovre (Allemagne)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">1990<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">(sans titre)<\/h3>\n\n\n\n<p>Galerie du Placard, N\u00eemes (France)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">1989<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Encore et toujours<\/h3>\n\n\n\n<p>\u00c9cole de N\u00eemes (France)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">1988<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Reis pflanzen<\/h3>\n\n\n\n<p>HBK Braunschweig (Allemagne)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">1987<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Je me br\u00fble<\/h3>\n\n\n\n<p>\u00c9cole de N\u00eemes (France)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">1986<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Premi\u00e8re exposition en peinture<\/h3>\n\n\n\n<p>Galerie Yi-Jo, Masan (Cor\u00e9e du Sud)<\/p>\n\n\n\n<h1 class=\"wp-block-heading\">EXPOSITIONS COLLECTIVES<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">2025<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>\uc548\ud2f0-\uc140\ud504: \ub098\uc5d0 \ubc18\ud558\uc5ec<\/strong> <strong>Undoing Oneself<\/strong><\/h3>\n\n\n\n<p>ARKO Art Center, S\u00e9oul (Cor\u00e9e du Sud)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>\uc2e4\ub85c \uc5b4\ub9c8\uc5b4\ub9c8\ud55c \uc77c\uc774\ub2e4 <em>&nbsp;<\/em>Something So Incredible<\/strong><\/h3>\n\n\n\n<p>Gyeungnam Art Museum, Changwon (Cor\u00e9e du Sud)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2024<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>\ud070\uc0ac\uacfc\uac00 \uc18c\ub9ac\uc5c6\uc774  Silent Apple<\/strong><\/h3>\n\n\n\n<p>7\u00e8me Biennale de sculpture de Changwon (Cor\u00e9e du Sud)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>GAM Collection: Recollection in the Future<\/strong><\/h3>\n\n\n\n<p>Gyeongnam Art Museum, Changwon (Cor\u00e9e du Sud)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2023<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Boomerang<\/h3>\n\n\n\n<p>Galerie Houg, Lyon (France)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2022<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Simple Acts of Listening<\/h3>\n\n\n\n<p>Sound Effects Seoul (Cor\u00e9e du Sud) \u2013 La Haye (Pays-Bas)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2021<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Futurae<\/h3>\n\n\n\n<p>St-Art 2021, Strasbourg (France)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2020<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Champs Libres<\/h3>\n\n\n\n<p>MAIF Social Club, Paris (France)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2018<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Around Sol Lewitt<\/h3>\n\n\n\n<p>Galerie Lescer, Zalesie Gorne (Pologne)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Dialogues, Art sacr\u00e9 \u2013 Art contemporain<\/h3>\n\n\n\n<p>Donezan (France)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2016<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>0\uc0c1 0\ud654\uad6d<\/strong> Republic of O sang<\/h3>\n\n\n\n<p>11\u00e8me Biennale de Gwangju \u00ab\u00a0Mega-Exhibition\u00a0\u00bb  <br>The National Asia Culture Center, Gwangju (Cor\u00e9e du Sud)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Habiter<\/h3>\n\n\n\n<p>Dans le cadre de \u00ab\u00a0Rencontre image et ville\u00a0\u00bb,<br>Galerie Negpos et Fotoloft, N\u00eemes (France)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2014<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Mobil Home Project<\/h3>\n\n\n\n<p>Songwon Art Center, S\u00e9oul (Cor\u00e9e du Sud)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2013<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>\uacbd\uacc4 \uc704\ub97c \ub2ec\ub9ac\ub294<\/strong> Running on the Borders \u2013 part 1: Localization<\/h3>\n\n\n\n<p>Pool Art Space, S\u00e9oul (Cor\u00e9e du Sud)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Plastique en sc\u00e8ne ; m\u00eal\u00e9, emm\u00eal\u00e9, recycl\u00e9<\/h3>\n\n\n\n<p>Centre culturel Aragon, Oyonnax (France)&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2012\/13<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Women In-Between<\/h3>\n\n\n\n<p>Dans le cadre de \u00ab\u00a0Asian Women Artists 1984-2012\u00a0\u00bb<br>Fukuoka Asian Art Museum, Okinawa Prefectural Art Museum, Tochigi Prefectural Art Museum of Fine Arts, Mie Prefectural Art Museum (Japon)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2011<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Espace public<\/h3>\n\n\n\n<p>1\u00e8re Biennale \u00ab\u00a0Images et Patrimoine\u00a0\u00bb, N\u00eemes (France)&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Habiter la terre<\/h3>\n\n\n\n<p>5\u00e8me Biennale internationale d\u2019art contemporain, Melle (France)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2009<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Multiscape<\/h3>\n\n\n\n<p>3.15 Art Center, Masan (Cor\u00e9e du Sud)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2008<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Re-View<\/h3>\n\n\n\n<p>Gyeongnam Art Museum, Changwon (Cor\u00e9e du Sud)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Contemporary Korean Artists in Paris<\/h3>\n\n\n\n<p>Seoul Art Center, Hangaram museum, S\u00e9oul (Cor\u00e9e du sud)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Daily life in Korea<\/h3>\n\n\n\n<p>Queen\u2019s Gallery, Bangkok (Tha\u00eflande)<br>(exposition organis\u00e9e par National Museum of Contemporary Art, Cor\u00e9e du Sud)&nbsp;&nbsp;<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Eunni is back<\/h3>\n\n\n\n<p>Gyeonggido Museum of Modern art, Ansan (Cor\u00e9e du Sud)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2007<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Eau, air, terre : la sagesse du jardinier<\/h3>\n\n\n\n<p>3\u00e8me Biennale internationale d\u2019art contemporain, Melle (France)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2005<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Biennale d\u2019Issy 2005<\/h3>\n\n\n\n<p>Mus\u00e9e fran\u00e7ais de la Carte \u00e0 jouer, Issy-Les- Moulineaux (France)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2003<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Connivences<\/h3>\n\n\n\n<p>Les R\u00e9servoirs, Limay (France) et Galerie Hedaes Sevira, Paris (France)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2002<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Jeune Cr\u00e9ation 2002<\/h3>\n\n\n\n<p>La Grande Halle de la Villette, Paris (France)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2001<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">R\u00e9miniscences au pays du matin calme<\/h3>\n\n\n\n<p>Ambassade de Cor\u00e9e, Paris (France)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Simultan\u00e9es<\/h3>\n\n\n\n<p>Galerie Olivier Houg, Lyon (France)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Rolex-nord<\/h3>\n\n\n\n<p>Atelierhaus, Hanovre (Allemagne)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">1999<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Hannover 1999<\/h3>\n\n\n\n<p>Eisfabrik Foro Artisco, Hanovre (Allemagne)&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">1996<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Wiedersehen<\/h3>\n\n\n\n<p>Kunstverein Hannover, Hanovre (Allemagne)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">1995<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Fr\u00fchlingserwachen<\/h3>\n\n\n\n<p>Kunstverein Hannover, Hanovre (Allemagne)&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">1993<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Subjekt, Pr\u00e4dikat, Objekt<\/h3>\n\n\n\n<p>Haus am Waldsee, Berlin (Allemagne)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">1992<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Szene Hannover<\/h3>\n\n\n\n<p>Prix Villa Minimo, Kubus, Hanovre (Allemagne)&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">1990<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Klasse<\/h3>\n\n\n\n<p>Kunstverein Celle (Allemagne)&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Im Carr\u00e9<\/h3>\n\n\n\n<p>Kunstverein G\u00f6ttingen, G\u00f6ttingen (Allemagne)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Raum Klima<\/h3>\n\n\n\n<p>Kunstverein Hannover, Hanovre (Allemagne)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">1989<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Exposition off off<\/h3>\n\n\n\n<p>Rencontres internationales de la photographie d\u2019Arles (France)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">1986<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Les jeunes ma\u00eetres<\/h3>\n\n\n\n<p>Le confort moderne, Poitiers (France)<\/p>\n\n\n\n<h1 class=\"wp-block-heading\">BIBLIOGRAPHIE<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">2025<\/h2>\n\n\n\n<p><strong>\uc548\ud2f0- \uc140\ud504 Undoing Oneself<\/strong>, ARKO Art Center, S\u00e9oul (Cor\u00e9e du Sud)<\/p>\n\n\n\n<p><strong>\uc2e4\ub85c \uc5b4\ub9c8\uc5b4\ub9c8\ud55c \uc77c\uc774\ub2e4 Something so incredible<\/strong>, Gyeongnam Art Museum, Changwon (Cor\u00e9e du Sud)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2024<\/h2>\n\n\n\n<p><strong>\ud070\uc0ac\uacfc\uac00 \uc18c\ub9ac\uc5c6\uc774 &nbsp;Silent Apple<\/strong>, Biennale de sculpture de Changwon\/Changwon Cultural Foundation (Cor\u00e9e du Sud)<\/p>\n\n\n\n<p><strong>HA CHA YOUN \u2013 Made in Korea<\/strong>, dans <strong>\uc6d4\uac04\ubbf8\uc220 Monthly Art<\/strong>, vol.471, avr. 2024 (Cor\u00e9e du Sud)<\/p>\n\n\n\n<p><strong>HA CHA YOUN Home(s)<\/strong> [publication num\u00e9rique], Alt Space LOOP, S\u00e9oul (Cor\u00e9e du Sud)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2023<\/h2>\n\n\n\n<p><strong>Hwanghae<\/strong>, no. 119 (Cor\u00e9e du Sud)<\/p>\n\n\n\n<p><strong>Artist-Kunstmagazin, <\/strong>no. 134, Bremen (Allemagne)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2016<\/h2>\n\n\n\n<p><strong>Republic of O sang<\/strong>, Gwangju biennale, Gwangju (Cor\u00e9e du Sud)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2015<\/h2>\n\n\n\n<p><strong>Mobil home project<\/strong>, Songwon Art center, S\u00e9oul (Cor\u00e9e)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2013<\/h2>\n\n\n\n<p><strong>Running on Borders: Inter-cultural Negociation and Adventures of Thinking<\/strong>, Art Space Pool, S\u00e9oul (Cor\u00e9e du Sud)<\/p>\n\n\n\n<p>\u00ab\u00a0<strong>A space for contemplation and agreement on residential models\u00a0\u00bb<\/strong>, dans <strong>Contemporary art journal<\/strong>, vol.15, S\u00e9oul (Cor\u00e9e du Sud)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2012<\/h2>\n\n\n\n<p><strong>Women In-Between \u2013 Asian Women Artists 1984-2012<\/strong>, Fukuoka Asian Art Museum, Okinawa Prefectural Museum &amp; Art Museum,Tochigi Prefectural Museum of Fine Arts, Mie Prefectural&nbsp; Art Museum (Japon)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2011<\/h2>\n\n\n\n<p><strong>Habiter la terre<\/strong>, Biennale Internationale d\u2019art contemporain de Melle (France)<\/p>\n\n\n\n<p><strong>Sweet Home<\/strong>, Kunstverein Grafschaft-Bentheim (Allemagne)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2009<\/h2>\n\n\n\n<p><strong>Projet Sweet Home 4<\/strong>, \u00c9cole des Beaux-Arts et Ville de Poitiers (France)<\/p>\n\n\n\n<p><strong>Multiscape-Reading, Writing, Memorizing<\/strong>, 3.15 Art Center, Masan (Cor\u00e9e du Sud)<\/p>\n\n\n\n<p><strong>Re-View<\/strong>, Gyeongnam Art Museum, Changwon (Cor\u00e9e du Sud)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2008<\/h2>\n\n\n\n<p><strong>Contemporary Korean Artists \u2013 Paris<\/strong>, Seoul Art Center (Cor\u00e9e du Sud)<\/p>\n\n\n\n<p><strong>Daily life in Korea<\/strong>, National Museum of Contemporary Art (Cor\u00e9e du Sud)<\/p>\n\n\n\n<p><strong>Eunni is back<\/strong>, Gyeonggido Museum of Modern art, Ansan (Cor\u00e9e du Sud)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2007<\/h2>\n\n\n\n<p><strong>Eau, air, terre: La sagesse du jardinier<\/strong>, Biennale Internationale d\u2019art contemporain de Melle (France)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2003<\/h2>\n\n\n\n<p><strong>L\u2019\u00e2me cor\u00e9enne<\/strong>, Association Culture Cor\u00e9e (France)<\/p>\n\n\n\n<p><strong>Connivences<\/strong>, R\u00e9servoir, Limay (France)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2002<\/h2>\n\n\n\n<p><strong>Jeune cr\u00e9ation 2002<em> <\/em><\/strong>(France)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2001<\/h2>\n\n\n\n<p><strong>R\u00e9miniscences au pays du matin calme<\/strong>, Ambassade de Cor\u00e9e (France)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">1998<\/h2>\n\n\n\n<p><strong>En couleur\u2013Farbprobe<\/strong>, Kunstlerhaus Meinersen (Allemagne)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">1996<\/h2>\n\n\n\n<p><strong>Wiedersehen<\/strong>, Kunstverein Hannover (Allemagne)<\/p>\n\n\n\n<p><strong>Studiolo<\/strong>, Kunstverein Braunschweig (Allemagne)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">1995<\/h2>\n\n\n\n<p><strong>Auszug<\/strong>, B\u00f6blinger Kunstverein (Allemagne)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">1993<\/h2>\n\n\n\n<p><strong>Subjekt, Pr\u00e4dikat, Objekt<\/strong>, Haus am Waldsee (Allemagne)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">1992<\/h2>\n\n\n\n<p><strong>Szene Hannover<\/strong>, Kunstverein Hannover (Allemagne)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">1990<\/h2>\n\n\n\n<p><strong>Klass<\/strong>, HBK Braunschweig (Allemagne)<\/p>\n\n\n\n<p><strong>Raum Klima<\/strong>, Kunstverein Hannover (Allemagne)<\/p>\n\n\n\n<h1 class=\"wp-block-heading\">R\u00c9SIDENCES, BOURSES ET PRIX<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">2016<\/h2>\n\n\n\n<p>R\u00e9sidence d\u2019artiste, Toji Cultural Fondation, Wonju (Cor\u00e9e du Sud)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2008<\/h2>\n\n\n\n<p>R\u00e9sidence de cr\u00e9ation des \u00c9coles d\u2019art et de la ville de Poitiers (France)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2001<\/h2>\n\n\n\n<p>R\u00e9sidence et bourse de s\u00e9jour pour les artistes allemands \u00e0 la Cit\u00e9 internationale des Arts de Paris (France)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">1999<\/h2>\n\n\n\n<p>Prix d\u2019encouragement des artistes 1999, R\u00e9gion de Basse-Saxe (Allemagne)<\/p>\n\n\n\n<p>R\u00e9sidence et bourse, Fondation Septembre, Lamspringe (Allemagne)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">1998<\/h2>\n\n\n\n<p>R\u00e9sidence et bourse du Sparkassenstiftung, Hanovre (Allemagne)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">1996<\/h2>\n\n\n\n<p>R\u00e9sidence et bourse du Barkenhoffstiftung, Worpswede (Allemagne)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">1992<\/h2>\n\n\n\n<p>Bourse d\u2019artiste de Kunstfonds e.V., Bonn (Allemagne)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">1987<\/h2>\n\n\n\n<p>Office franco-allemand pour la jeunesse<\/p>\n\n\n\n<h1 class=\"wp-block-heading\">ACQUISITIONS PUBLIQUES<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">2025<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Gyeongnam Art Museum (Cor\u00e9e du sud)<\/h3>\n\n\n\n<p>Performances photos et vid\u00e9os \u00ab Je me br\u00fble \u00bb (1987\/2021), \u00ab Reis pflanzen \u00bb (1988\/2021), \u00ab Bleibt wie (ein)Baum \u00bb (1989\/2021) et \u00ab Von 1960 bis 2080 \u00bb (1989\/2021)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Mus\u00e9e Cernuschi \u2013&nbsp;CERAAF (France)<\/h3>\n\n\n\n<p>Rushes de la vid\u00e9o \u00ab Jour 5 \u00bb (rencontre-interview avec Park In-kyung)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2021<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">MMCA National Museum of Modern and Contemporary Art (Cor\u00e9e du Sud)<\/h3>\n\n\n\n<p>Vid\u00e9os \u00ab Sweet Home 4 \/ Arrival \u00bb (2009\/2021)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">SeMA Seoul Museum of Art (Cor\u00e9e du sud)<\/h3>\n\n\n\n<p>Performance photo et vid\u00e9o \u00ab Je me br\u00fble \u00bb (1987, 2021)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2013<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Kyeongnam Art Museum (Cor\u00e9e du Sud)<\/h3>\n\n\n\n<p>Vid\u00e9o \u00ab Sweet Home 4 \u00bb (2009)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Tochigi Prefectural Museum of Fine Arts (Japon)<\/h3>\n\n\n\n<p>Vid\u00e9os \u00ab Balade de Carola \u00bb (2008), \u00ab Balade dans Paris \u00bb (2006)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2007<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Ville de Melle (France)<\/h3>\n\n\n\n<p>Photographie \u00ab Consigne \u00bb (2005)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">1999, 1996<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Fonds municipal de la ville de Hanovre (Allemagne)<\/h3>\n\n\n\n<p>Assemblage \u00ab&nbsp;Farbprobe\/blau-rosa&nbsp;\u00bb (1996),<br>Photographies \u00ab&nbsp;Ha Cha Youn&nbsp;\u00bb (1988), \u00ab&nbsp;366 days in Poitiers, N\u00eemes, Braunschweig, London, Berlin, Paris\u2026&nbsp;\u00bb (1989)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">1998<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">K\u00fcnstlerhaus Meinersen (Allemagne)<\/h3>\n\n\n\n<p>Assemblage \u00ab Elisabeth &amp; fRol(2)&nbsp;\u00bb (1996)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">1997 et 1995<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Fonds r\u00e9gional du minist\u00e8re de la Science et la Culture, Basse-Saxe (Allemagne)<\/h3>\n\n\n\n<p>Assemblage \u00ab&nbsp;Elisabeth &amp; fRol(5)&nbsp;\u00bb (1996),<br>Installation \u00ab&nbsp;Reis &amp; Blumen&nbsp;\u00bb<em> <\/em>(1990)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>EXPOSITIONS PERSONNELLES 2026 Zum Gleichgewicht \u2013 \u00c0 propos de l\u2019\u00e9quilibre K\u00fcnstlerhaus (Weissen Saal), \u00c9glise St.Johannis, G\u00f6ttingen (Allemagne) 2022 \u00c0 la recherche de l&rsquo;autre Galerie Houg, Paris (France) 2021 \uc9d1\uc73c\ub85c Return Home Alt Space LOOP, S\u00e9oul (Cor\u00e9e du Sud) 2019 Home(s) project Lescer Art Center, Zalesie Gorne, Centre Culture Cor\u00e9en, Varsovie (Pologne) 2013 \ub465\uc9c0\ud2c0\uae30 \u2013 \ucabd\ubc29\ud504\ub85c\uc81d\ud2b8 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-14","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/hachayoun.com\/en\/wp-json\/wp\/v2\/pages\/14","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hachayoun.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/hachayoun.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/hachayoun.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/hachayoun.com\/en\/wp-json\/wp\/v2\/comments?post=14"}],"version-history":[{"count":54,"href":"https:\/\/hachayoun.com\/en\/wp-json\/wp\/v2\/pages\/14\/revisions"}],"predecessor-version":[{"id":3252,"href":"https:\/\/hachayoun.com\/en\/wp-json\/wp\/v2\/pages\/14\/revisions\/3252"}],"wp:attachment":[{"href":"https:\/\/hachayoun.com\/en\/wp-json\/wp\/v2\/media?parent=14"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}